Criss-crossing media and disciplines, the two new titles listed below display the breadth of decorative arts publications. A reprint of a 1978 classic rounds out this month’s collection. Images and descriptions are taken from the publisher or distributor websites, linked with each title.
Shine allures and awakens desire. As a phenomenon of perception shiny things and materials fascinate and tantalize. They are a formative element of material culture, promising luxury, social distinction and the hope of limitless experience and excess. Since the early twentieth century the mass production, dissemination and popularization of synthetic materials that produce heretofore-unknown effects of shine have increased. At the same time, shine is subjectified as “glamor” and made into a token of performative self-empowerment.
The volume illuminates genealogical as well as systematic relationships between material phenomena of shine and cultural-philosophical concepts of appearance, illusion, distraction and glare in bringing together renowned scholars from various disciplines.
In less than two decades, Jacoba van Heemskerck (1876–1923) created a powerful oeuvre comprising paintings, woodcuts, glassworks, and mosaics. Her expressive subjects, including landscapes, townscapes, and harbor scenes, are characterized by luminosity and transparency, rhythmic compositions of the pictorial space, black contours, and an intensive use of color. After her artistic beginnings in the circle around Mondrian, Jacoba van Heemskerck joined the center of the avant-garde movement emanating from the “Sturm” of Herwarth Walden in Berlin—the gallerist and publisher who made artists like Marc, Kandinsky, and Jawlensky famous. Her creative work resonates with environmental movements today thanks to her understanding of nature and the cosmos as an interconnected whole.
A new edition of the retrospective of the celebrated potter’s most significant writings, including new images from the family archive.
Bernard Leach was as renowned in Japan and the East as in Europe and North America as an artist-craftsman and as a thinker. Known in the ceramic world as the father of British studio pottery, his interpretation of Asian traditions in ceramics and his unique philosophy of life were a lodestar for many potters in the West. Throughout his career, his techniques explored the interplay between Eastern and Western art.
Beyond East and West, first published in 1978, is a retrospective of more than ninety years of Bernard Leach’s long, illustrious life. Featuring some of Leach’s most significant writings and full of amusing, sharply-etched recollections, the essays have been placed in chronological order and annotated by the author for more coherence. The recurrent theme of the meeting of East and West is apparent at all levels—artistic, cultural, social, and political—of Leach’s life and writings. This new edition of a classic text, accompanied by new images from the Leach family archive, gives readers an intimate look at the life of one of the world’s most widely known and respected potters.
If you know of other decorative arts-related titles published in July 2021, please be in touch!